Chorus, Phase Shifters, Flangers
EHX has resurrected the legendary Bad Stone Phase Shifter. With prices of 1970s’ vintage Bad Stones soaring, now is your chance to get a reissue that is faithful to the original circuit design and three-knob control layout, but features up-to-date enhancements for the modern player.
The classic Deluxe Electric Mistress Flanger is now available in a compact die-cast package with a number of enhancements to make the venerable analog pedal more user-friendly for today’s pedalboard using players.
The quintessence of tone! This powerful digital multi-effect begins with the flawless polyphonic tracking of the Micro POG. Next is the Stereo Electric Mistress
The Good Vibes recaptures the iconic chorus/vibrato effect of the 1960s in an updated pedal with features designed to meet the needs of the modern player.
The ultimate rotary speaker emulator packed with goodies like a specially designed compression circuit to supercharge the rotating speaker effect on guitar. Lester G’s comprehensive controls include fully adjustable tube-style overdrive, Fast and Slow modes and an Acceleration control to dial in the rate at which the effect transitions between speeds. The sound of that giant wood cabinet will now fit on a pedalboard!
Analog Chorus. Lush, analog chorus designed to recreate our legendary Small Clone in a pedal-board friendly package.
Perhaps two of the most used modulation effects by guitarists, chorus and flangers delay the instrument's signal by milliseconds while modulating the delay time at a constant rate. The modulated signal is then mixed with the original dry instrument to create the effect.
Chorus is named so because of the doubling effect it produces, making it sound like multiple guitars are being played. What does chorus sound like? Think The Police.
Phase shifters do exactly what their name implies: they shift the phase of the waveform from your instrument then mix the phase shifted signal with the original dry instrument. The amount of phase shift is modulated to bring the effect to life. The end result is a notch filter, with multiple notches, that move through the frequency spectrum in sync with the modulation rate. The effect can produce subtle to over the top modulation depending on the feedback or color setting.
We don't know how John Lennon came up with the name Flanger but thankfully he did because it perfectly describes the sound, from the famous jet engine effect to otherworldly modulation to subtle liquid effects. Flangers are not just used on guitars but just about every instrument in the studio from pianos to drum kits to stereo mixes.
